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Scenes from the SuburbsThe Suburb in Contemporary US Film and Television$
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Timotheus Vermeulen

Print publication date: 2014

Print ISBN-13: 9780748691661

Published to Edinburgh Scholarship Online: January 2015

DOI: 10.3366/edinburgh/9780748691661.001.0001

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Desperate Housewives: The Suburb as Social Space

Desperate Housewives: The Suburb as Social Space

Chapter:
(p.109) Chapter 4 Desperate Housewives: The Suburb as Social Space
Source:
Scenes from the Suburbs
Author(s):

Timotheus Vermeulen

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748691661.003.0005

In the public mind, there is a correlation between women and suburbs. “Women and suburbs, Susan Saegert notes, are thought “to share domesticity, repose, closeness to nature, lack of seriousness, mindlessness and safety.” Sociologist Barry Schwartz has even suggested that suburbs are an essentially feminine environment. Drawing on close textual analysis of camera movement, plot and performance the Fourth Chapter presents a reading of the gendering of space and the social construction of womanhood in the popular dramedy Desperate Housewives. Often praised as a prime example of a liberated postfeminist culture, it is argued that, on the contrary, Desperate Housewives naturalises the suburb as a female retreat, restricts and manipulates the movements of its female protagonists (and explicitly condemns those who are mobile), and stimulates an inhibited performativity and self-consciousness. In the process, these findings are discussed in relationship both to more classical women’s texts, like the films by Douglas Sirk.

Keywords:   Desperate Housewives, Postfeminism, Gender, Performance, Performativity, Social space, Spatial mobility

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