Show Summary Details
- Title Pages
- Dedication
- List of Illustrations
- Acknowledgements
- Notes on the Contributors
- Introduction
-
1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir -
2. Warning Shadows: German Expressionism and American Film Noir -
3. Hard-Boiled Tradition and Early Film Noir -
4. Cold War Noir -
5. Noiring The Pitch: The Conflicted Soundtracks of Out of the Past, The Blue Gardenia and The Long Goodbye -
6. Split Screen: Sound/Music in The Stranger/Criss Cross -
7. Gender and Noir -
8. The Subversive Shade of Black in Film Noir -
9. Postscript - Selected Book Chapters on Film Noir
- Selected Film Noir Books
- Selected Guide to Film Noir
- Index
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Dedication
- List of Illustrations
- Acknowledgements
- Notes on the Contributors
- Introduction
-
1. The Cinema of Uncertainty and the Opacity of Information from Louis Feuillade’s Crime Serials to Film Noir -
2. Warning Shadows: German Expressionism and American Film Noir -
3. Hard-Boiled Tradition and Early Film Noir -
4. Cold War Noir -
5. Noiring The Pitch: The Conflicted Soundtracks of Out of the Past, The Blue Gardenia and The Long Goodbye -
6. Split Screen: Sound/Music in The Stranger/Criss Cross -
7. Gender and Noir -
8. The Subversive Shade of Black in Film Noir -
9. Postscript - Selected Book Chapters on Film Noir
- Selected Film Noir Books
- Selected Guide to Film Noir
- Index
