Show Summary Details
- Title Pages
- Acknowledgements
- List of Plates
- List of Figures
- Introduction: ‘the lucid atmosphere of fine Cathay’
-
Chapter 1 China and the Formation of the Modernist Aesthetic Ideal -
Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf -
Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine -
Chapter 4 Chinese Artistic Influences on the Vorticists in London -
Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism -
Chapter 6 ‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet -
Chapter 7 Fashion, Chinoiserie and Modernism -
Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown -
Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie -
Chapter 10 Chinoiserie: An Unrequited Architectural Affair - Notes on Contributors
- Index
Title Pages
Title Pages
- Source:
- British Modernism and Chinoiserie
- Author(s):
- Anne Witchard
- Publisher:
- Edinburgh University Press
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- Title Pages
- Acknowledgements
- List of Plates
- List of Figures
- Introduction: ‘the lucid atmosphere of fine Cathay’
-
Chapter 1 China and the Formation of the Modernist Aesthetic Ideal -
Chapter 2 Shared Affinities: Katherine Mansfield, Ling Shuhua and Virginia Woolf -
Chapter 3 Roger Fry, Chinese Art and The Burlington Magazine -
Chapter 4 Chinese Artistic Influences on the Vorticists in London -
Chapter 5 The Idea of the Chinese Garden and British Aesthetic Modernism -
Chapter 6 ‘Beautiful, baleful absurdity’: Chinoiserie and Modernist Ballet -
Chapter 7 Fashion, Chinoiserie and Modernism -
Chapter 8 The Oriental and the Music Hall: Sound and Space in Thomas Burke’s Limehouse Chinatown -
Chapter 9 Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie -
Chapter 10 Chinoiserie: An Unrequited Architectural Affair - Notes on Contributors
- Index
