Breaking Theological Icons
Breaking Theological Icons
This chapter introduces the first and perhaps most obvious sense in which Deleuze’s theology is iconoclastic: it hammers away at the Platonic notion of icons as good copies of ideal models. In fact, his whole philosophical project contributed to the inversion or “reversal of Platonism,” a phrase Deleuze borrows from Nietzsche but develops in his own way. Exploring Deleuze’s passion for overturning Platonism is also a good place to start because it further clarifies the sense in which his iconoclasm is theological, criticizing and constructing hypotheses about the conditions for axiological engagement. This chapter focuses on the resources Deleuze finds in Kant, Spinoza and Nietzsche for overturning religious figures.
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.