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Thomas Hardy's Legal Fictions$
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Trish Ferguson

Print publication date: 2013

Print ISBN-13: 9780748673247

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748673247.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 23 October 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Thomas Hardy's Legal Fictions
Author(s):

Trish Ferguson

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748673247.003.0001

This book is about Thomas Hardy, an English novelist and poet whose legal career began in 1894 when he was appointed county magistrate, and his fiction in relation to legislative and literary history. It situates Hardy’s legal fiction within the legal consciousness of the late nineteenth century and its pervasive preoccupation with the law. It argues that Hardy’s work was shaped both by his awareness of individual cases and acrimonious debates over legal reforms, that he was influenced by sensation fiction and its legal plot lines, and that his open-ended narratives provoke his readers to examine legal issues which he leaves unanswered in a modernist form of training in judicial reasoning. These issues range from the limits of counsel to the definition of legal insanity, legal protection of women from abusive relationships and fundamental social inequalities exacerbated by the reform of land law. Finally, the book considers how Hardy’s fiction offers pseudo-legal representation in narratives that mirror the dialogic form of trial procedure.

Keywords:   law, Thomas Hardy, legal fiction, legal reforms, sensation fiction, judicial reasoning, counsel, legal insanity, women, trial procedure

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