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The Edinburgh FestivalsCulture and Society in Post-war Britain$
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Angela Bartie

Print publication date: 2013

Print ISBN-13: 9780748670307

Published to Edinburgh Scholarship Online: September 2013

DOI: 10.3366/edinburgh/9780748670307.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 August 2021

Introduction

Introduction

Chapter:
(p.1) 1 Introduction
Source:
The Edinburgh Festivals
Author(s):

Angela Bartie

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670307.003.0001

This introductory chapter begins with a description of the inaugural Edinburgh Festival of 1947 and sets the scene of the post-war world in which it took place. The Festival City is conceptualized as a site of cultural contest, and arts festivals as an effective ‘lens’ through which to explore wider debates about culture and society. The key themes of the book are introduced: the changing role of the culture in post-war Britain, the development of arts policy, the secularisation and liberalisation of British society, the role of theatre in social change, new trends in the arts, and the ‘culture wars’ that were bound up in the ‘battleground’ of the arts.

Keywords:   Edinburgh Festival, arts festivals, arts policy, theatre, society, post-war, secularisation, culture wars

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