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Bergson and the Art of Immanence – Painting, Photography, Film - Edinburgh Scholarship Online
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Bergson and the Art of Immanence: Painting, Photography, Film

John Mullarkey and Charlotte de Mille

Abstract

Bergson and The Art of Immanence is the first book to bring Henri Bergson’s philosophy of immanence together with the latest ideas in art-theory and the practice of immanent art as found in painting, photography, and film. This new collection of essays from world-renowned art theorists, philosophers, and Bergson-scholars will provide both a wide historical context and a rigorous conceptual framework for contemporary art-theory and practice involving the concepts of rhythmic duration, perception, affectivity, the body, memory, and intuition – all of which were given their first systematic theor ... More

Keywords: Bergson, Art, Immanence, Deleuze, Painting, Photography, Film

Bibliographic Information

Print publication date: 2013 Print ISBN-13: 9780748670222
Published to Edinburgh Scholarship Online: May 2014 DOI:10.3366/edinburgh/9780748670222.001.0001

Authors

Affiliations are at time of print publication.

John Mullarkey, editor
Kingston University London

Charlotte de Mille, author
University of Sussex

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Contents

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Front Matter

Title Pages

List of Illustrations

Notes on Contributors

Introduction

Charlotte De Mille, and John Mullarkey

PART I Bergson, Art, History

I. Bergson, History and Ontology

Craig Lundy

2. Art History, Immanently

Charlotte De Mille

3. Art History, Less Its Conditions of Possibility

Adi Efal

4. Matisse, Bergson, Oiticica, etc.

Eric Alliez, and Hager Weslati

5. Bergson Before Deleuze

Sarah Wilson

6. Revolutionary Immanence

Mark Antliff

PART II Unconditional Practice

7. The Matter of the Image

Felicity Colman

8. Pasearse

Stella Baraklianou

9. Duration and Rhetorical Movement

James Day

10. A Diagram of the Finite-Infinite Relation

Simon O’Sullivan

Part III Immanence of the Visible

11. Painting the Invisible

Brendan Prendeville

12. ‘For We Will Have Shown it Nothing’

John Mullarkey

13. The Untimeliness of Bergson’s Metaphysics

Iris Van Der Tuin

14 Hyperaesthesia and the Virtual

Howard Caygill

Afterword

Jae Emerling

End Matter

Index