Show Summary Details
- Title Pages
- List of Illustrations
- Notes on Contributors
- Introduction
-
I . Bergson, History and Ontology -
2 . Art History, Immanently -
3 . Art History, Less Its Conditions of Possibility -
4 . Matisse, Bergson, Oiticica, etc. -
5 . Bergson Before Deleuze -
6 . Revolutionary Immanence -
7 . The Matter of the Image -
8 . Pasearse -
9 . Duration and Rhetorical Movement -
10 . A Diagram of the Finite-Infinite Relation -
11 . Painting the Invisible -
12 . ‘For We Will Have Shown it Nothing’ -
13 . The Untimeliness of Bergson’s Metaphysics -
14 Hyperaesthesia and the Virtual - Afterword
- Index
(p.ix) Notes on Contributors
(p.ix) Notes on Contributors
- Source:
- Bergson and the Art of Immanence
- Publisher:
- Edinburgh University Press
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- Title Pages
- List of Illustrations
- Notes on Contributors
- Introduction
-
I . Bergson, History and Ontology -
2 . Art History, Immanently -
3 . Art History, Less Its Conditions of Possibility -
4 . Matisse, Bergson, Oiticica, etc. -
5 . Bergson Before Deleuze -
6 . Revolutionary Immanence -
7 . The Matter of the Image -
8 . Pasearse -
9 . Duration and Rhetorical Movement -
10 . A Diagram of the Finite-Infinite Relation -
11 . Painting the Invisible -
12 . ‘For We Will Have Shown it Nothing’ -
13 . The Untimeliness of Bergson’s Metaphysics -
14 Hyperaesthesia and the Virtual - Afterword
- Index
