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Bergson and the Art of ImmanencePainting, Photography, Film$
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John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 April 2020

. Pasearse

. Pasearse

Duration and the Act of Photographing

Chapter:
(p.131) 8. Pasearse
Source:
Bergson and the Art of Immanence
Author(s):

Stella Baraklianou

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0009

Chapter considers the temporality of the photographic frame and the need to situate it within the photographic act. This ‘opening up’ of the time of the frame leads her to consider the meaning of pasearse (‘to take oneself walking’) – a self-reflexive active verb that exposes a temporality wherein immanence and being coincide: a relational event combining stillness and movement when practising photography.

Keywords:   Bergson, Agamben, Spinoza, Deleuze, photography

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