Jump to ContentJump to Main Navigation
Bergson and the Art of ImmanencePainting, Photography, Film$
Users without a subscription are not able to see the full content.

John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 24 May 2022

. Pasearse

. Pasearse

Duration and the Act of Photographing

(p.131) 8. Pasearse
Bergson and the Art of Immanence

Stella Baraklianou

Edinburgh University Press

Chapter considers the temporality of the photographic frame and the need to situate it within the photographic act. This ‘opening up’ of the time of the frame leads her to consider the meaning of pasearse (‘to take oneself walking’) – a self-reflexive active verb that exposes a temporality wherein immanence and being coincide: a relational event combining stillness and movement when practising photography.

Keywords:   Bergson, Agamben, Spinoza, Deleuze, photography

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.