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Bergson and the Art of ImmanencePainting, Photography, Film$
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John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 21 May 2022

. Matisse, Bergson, Oiticica, etc.

. Matisse, Bergson, Oiticica, etc.

Chapter:
(p.63) 4. Matisse, Bergson, Oiticica, etc.
Source:
Bergson and the Art of Immanence
Author(s):

Eric Alliez

Hager Weslati

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0005

Chapter looks at the Bergsonian paradigm of immanence within the field of art, taken through its first historic inscription in Matisse and Fauvism. The notion of the aesthetic is problematized, while also crystallizing the most detailed aspects of Bergson’s thought (his critique of Form), and its absolute outside, with specific reference to Matisse and Oiticica.

Keywords:   Matisse, Bergson, Oiticica, immanence

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