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Bergson and the Art of ImmanencePainting, Photography, Film$
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John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 April 2020

Hyperaesthesia and the Virtual

Hyperaesthesia and the Virtual

Chapter:
(p.247) 14 Hyperaesthesia and the Virtual
Source:
Bergson and the Art of Immanence
Author(s):

Howard Caygill

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0015

Chapter traces the theme of hyperaesthesia and its correlates throughout Bergson’s work, arguing for a reading of his contributions to psychic research in the context of his theory of perception. It also shows that the experience of expanded perception was central to Bergson’s expansive understanding of inherent human powers and their development

Keywords:   Bergson, hyperaesthesia, Deleuze, actual, virtual

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