. ‘For We Will Have Shown it Nothing’
. ‘For We Will Have Shown it Nothing’
Bergson as Non-Philosopher (of) Art
Chapter compares Laruelle’s ‘non-standard philosophy’ with Bergson’s immanent metaphysics of art. In complementary ways, they both radicalise the relations between philosophy and art, Bergson seeing philosophy as a kind of general art, Laruelle making each of the arts (non-standardly) philosophical. They both ‘de-philosophise philosophy’ in the sense of making philosophy strange through what Bergson calls ‘penser en durée’, ‘the immanent thinking-in-time that makes philosophy a generic art and the arts specific, new, philosophies’
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