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Bergson and the Art of ImmanencePainting, Photography, Film$
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Bergson and the Art of Immanence: Painting, Photography, Film

John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 April 2020

. Painting the Invisible

. Painting the Invisible

Time, Matter and the Image in Bergson and Michel Henry

Chapter:
(p.189) 11. Painting the Invisible
Source:
Bergson and the Art of Immanence
Author(s):

Brendan Prendeville

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0012

This chapter examines parallels between the thought of Bergson and that of the radically unorthodox phenomenologist Michel Henry, especially in the light of the latter’s work on Kandinsky’s Voir l’invisible, and finds Bergson’s theory of attention consonant with Henry’s apprehension of life as pathos

Keywords:   Bergson, Henry, Kandinsky, painting, immanence

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