. Painting the Invisible
. Painting the Invisible
Time, Matter and the Image in Bergson and Michel Henry
This chapter examines parallels between the thought of Bergson and that of the radically unorthodox phenomenologist Michel Henry, especially in the light of the latter’s work on Kandinsky’s Voir l’invisible, and finds Bergson’s theory of attention consonant with Henry’s apprehension of life as pathos
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.