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Bergson and the Art of ImmanencePainting, Photography, Film$
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Bergson and the Art of Immanence: Painting, Photography, Film

John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 April 2020

. A Diagram of the Finite-Infinite Relation

. A Diagram of the Finite-Infinite Relation

Towards a Bergsonian Production of Subjectivity1

Chapter:
(p.165) 10. A Diagram of the Finite-Infinite Relation
Source:
Bergson and the Art of Immanence
Author(s):

Simon O’Sullivan

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0011

The chapter revolves around a diagram – the celebrated cone of memory from Bergson’s Matter and Memory. It looks at this drawing as a form of thinking that leads to a commentary on the mystic in Bergson’s The Two Sources of Religion and Morality, the mystic being the one who actualizes the pure past (seen in the cone of memory) in the production of a specifically different kind of subjectivity

Keywords:   Bergson, diagram, Deleuze

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