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Bergson and the Art of ImmanencePainting, Photography, Film$
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John Mullarkey and Charlotte de Mille

Print publication date: 2013

Print ISBN-13: 9780748670222

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748670222.001.0001

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. Duration and Rhetorical Movement

. Duration and Rhetorical Movement

Chapter:
(p.148) 9. Duration and Rhetorical Movement
Source:
Bergson and the Art of Immanence
Author(s):

James Day

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748670222.003.0010

Chapter examines the relations between the time of writing and art historical time by linking Bergsonian duration with rhetorical devices from the postmodern historical novel, in particular Carlos Fuentes’ Terra Nostra. Fuentes’ work provides modes of writing for art historians to describe heterotopic relations such as between Whistler’s Symphony in White, No. I. and Manet’s Luncheon on the Grass. Given that the times present in these paintings are unstable, writing can alter them and render their histories constantly and creatively evolving

Keywords:   Bergson, Fuentes, Whistler, Manet, rhetoric, art history

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