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Moving ImagesNineteenth-Century Reading and Screen Practices$
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Helen Groth

Print publication date: 2013

Print ISBN-13: 9780748669486

Published to Edinburgh Scholarship Online: May 2014

DOI: 10.3366/edinburgh/9780748669486.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 20 May 2022

Flickering Effects

Flickering Effects

George Robert Sims and the Psychology of the Moving Image

Chapter:
(p.152) Chapter 6 Flickering Effects
Source:
Moving Images
Author(s):

Helen Groth

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748669486.003.0007

This chapter locates the two-volume series of vignettes that comprise the late nineteenth-century journalist George Robert Sims’s The Social Kaleidoscope in the context of a broader cultural analysis of the pervasive use of a new technological rhetoric of moving images in nineteenth-century accounts of London life. This analysis ranges from Charles Dickens’s reflections on the process of capturing the dynamism of the modern city to Albert Smith’s popular Gavarni in London: Sketches of Life and Character (1849) and culminates with the print remediation of one of Robert Paul’s first urban flickers, ‘The Prince’s Derby’ in the pages of the Strand Magazine in 1896. Sims and his contemporaries embraced technological metaphors to convey a distinctively modern psychological understanding of how the mind and eye process information, and how language works to mediate that process.

Keywords:   Nineteenth-century Journalism, Early cinema, Victorian visuality, George Robert Sims, Charles Dickens, Albert Smith, Media history, Psychology of reading and viewing

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