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Don PatersonContemporary Critical Essays$
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Natalie Pollard

Print publication date: 2014

Print ISBN-13: 9780748669417

Published to Edinburgh Scholarship Online: September 2015

DOI: 10.3366/edinburgh/9780748669417.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 September 2021

No-Score Drawing

No-Score Drawing

Postmodern Games in Don Paterson

Chapter:
(p.49) 3 No-Score Drawing
Source:
Don Paterson
Author(s):

Edward Larrissy

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748669417.003.0003

This chapter explores the paradoxes and slippages of quantifying terminology (‘nil’, ‘zero’, ‘double’) in his work. Such play keeps leading back to postmodern, and postmodernist, questions about whether there are objective principles grounding ideas of meaning and value. It raises the possibility that Paterson's poetry expresses the impossibility of raising the literary score above zero, or unlocking aesthetic language from stalemate. The chapter focuses especially on Paterson's first volume, Nil Nil, and the sense of perpetual draw, attending to the processes of measuring and numbering hinted at by Paterson's title. It then turns to God's Gift to Women, Landing Light, Rain and the books of aphorism. It also explores experiences of temporal order and disorder in Paterson, contrasting mundane, quantifying clock-time with time experienced through art and love.

Keywords:   Don Paterson, British poetry, British poets, quantifying terminology, aphorism, temporal order, disorder

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