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Masculinity and Italian CinemaSexual Politics, Social Conflict and Male Crisis in the 1970s$
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Sergio Rigoletto

Print publication date: 2014

Print ISBN-13: 9780748654543

Published to Edinburgh Scholarship Online: May 2015

DOI: 10.3366/edinburgh/9780748654543.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 19 May 2022

Introduction

Introduction

Chapter:
(p.1) 1. Introduction
Source:
Masculinity and Italian Cinema
Author(s):

Sergio Rigoletto

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748654543.003.0001

It introduces how the Italian cinema of the 1970s experienced a proliferation of sexualised images as never before, and a wide-ranging interrogation of masculinity, with a number of films beginning to question the definitional boundaries demarcating a socially acceptable male identity and the exclusions inevitably produced by such boundaries. The chapter establishes how and why masculinity became a central concern in Italian films of the 1970s by discussing some of the political and cultural transformations taking place in Italy during these years. It will examine in particular the legacy of 1968, the students’ and workers’ protests, feminism and the gay liberation movement - and their impact on cinematic representations of men and gender relations. The chapter will also provide an analysis of the particular industrial contexts in which Italian cinema of the 1970s functioned with particular reference to shifts in cinema-going habits and in censorship regulations.

Keywords:   Inept, Industry, Sex, Individual, Politics, Private, Power

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