This introductory section and its account of the significant changes in Argentine filmmaking in the last twenty five years acts as a platform to the director-centred analyses of Juan José Campanella’s films in Chapter 6. It situates Campanella and his filmmaking practice as typical of one vector of Argentina’s changed filmmaking landscape (the ‘industry auteurs’ produced through the neoliberal reforms to the industry in the 1990s and fostered by transnational media conglomerates) but also addresses the vibrant independent filmmaking movement (the New Argentine Cinema) also a by- product of the 1990s reforms and fostered by the government and transnational funding bodies.
Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.