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KropotkinReviewing the Classical Anarchist Tradition$
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Ruth Kinna

Print publication date: 2016

Print ISBN-13: 9780748642298

Published to Edinburgh Scholarship Online: May 2018

DOI: 10.3366/edinburgh/9780748642298.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 09 April 2020

Conclusion to Part 2

Conclusion to Part 2

Chapter:
(p.105) Conclusion to Part 2
Source:
Kropotkin
Author(s):

Ruth Kinna

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748642298.003.0008

Kropotkin described the work he completed for Le Révolté as the ‘foundation of nearly all I have written later on’.1 What did that mean? His early writings pointed up several themes: that anarchism was an ethical approach to politics; that the problems that socialists confronted were global; that science, construed poetically, offered a key to the resolution of those problems; that submissiveness and passivity were fatal barriers to social change and social solidarity was a catalyst for action; that change was a principle of life on Earth; and that fluid movements forged across diverse populations offered a model for cooperative living. Kropotkin presented these ideas in a distinctive way, using nihilism as his touchstone, but in developing his positions on nationality, slavery and the cementation of elite power, he aligned himself with Proudhonist and Bakuninist anti-authoritarianism. And his commentary on the Paris Commune formalised the ideological division that this alignment signalled. Yet there is scant evidence in Kropotkin’s early writings that his identification with anti-authoritarian politics was a launch-pad for a theory resembling classical anarchism....

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