Jump to ContentJump to Main Navigation
Bollywood in the Age of New MediaThe Geo-televisual Aesthetic$
Users without a subscription are not able to see the full content.

Anustup Basu

Print publication date: 2010

Print ISBN-13: 9780748641024

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748641024.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 29 July 2021

Repetitions with Difference: Mother India and her Thousand Sons

Repetitions with Difference: Mother India and her Thousand Sons

Chapter:
(p.201) Chapter 6 Repetitions with Difference: Mother India and her Thousand Sons
Source:
Bollywood in the Age of New Media
Author(s):

Anustup Basu

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748641024.003.0006

This chapter begins with a few observations and questions about Ashish Rajadhyaksha's theory of the ‘epic melodrama’. The objective is to further complicate the notion of mythic impelling, to historicise some such instances, and to understand how exactly and through what pains the ontological constant of Dharma can be upheld amidst the duress of modernisation or financialisation. Commercial Hindi films periodically recycle old stories. The volatile sphere of religiosity and the concomitant question of a mythography of the self as the cornerstone of the nation and its state undeniably left a lasting imprint on popular culture as a whole and Hindi cinema in particular. This was particularly evident in the cinematic expressions of what is called a Nehruvian sensibility toward secularism and tolerance. The plot that was first witnessed in Mehboob Khan's Aurat (Woman, 1940) has been recycled, in various historical settings, involving a range of cultural formations and social identities, in a body of films across the decades. Two of these films are Mehboob's own 1957 retelling in Mother India and Yash Chopra's Deewar (The Wall, 1975).

Keywords:   Mother India, Ashish Rajadhyaksha, epic melodrama, Deewar, Mehboob Khan, Dharma, Hindi cinema, Aurat, secularism, tolerance

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.