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Bollywood in the Age of New MediaThe Geo-televisual Aesthetic$
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Anustup Basu

Print publication date: 2010

Print ISBN-13: 9780748641024

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748641024.001.0001

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Technopolis and the Ramayana: New Temporalities

Technopolis and the Ramayana: New Temporalities

Chapter:
(p.180) (p.181) Chapter 5 Technopolis and the Ramayana: New Temporalities
Source:
Bollywood in the Age of New Media
Author(s):

Anustup Basu

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748641024.003.0005

Since the 1990s, erstwhile major formats such as the dacait (bandit) film and the rural melodrama that fashioned some of the greatest box office hits have been gradually relegated to B- and C-status or to regional industries, while others such as sci-fi, horror or sensationalist crime thrillers have been upgraded. This chapter analyses the interface between myth and science fiction, focusing on Mani Shankar's 2004 film Rudraksh (The Seed). Shankar's new age mythological does not cast tradition (the story of the indigenous self) and modernity (the story of the world) as overarching metanarratives locked in an agonistic battle. Rather, signs of tradition — the Vedas, the Puranas, the kundali or the swapna akash — become pliant and are brought into a state of informatic orchestration with those of the techno-modern: the Internet, the brain scan, Albert Einstein, the quantum zone. This chapter also discusses the notion of temporality and the sacralisation of special effects in Rudraksh.

Keywords:   Rudraksh, The Seed, myth, science fiction, Mani Shankar, modernity, kundali, temporality, special effects, quantum zone

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