Islamic Conversion and Christian Resistance on the Early Modern Stage
Jane Hwang Degenhardt
Abstract
This book explores the theme of Christian conversion to Islam in twelve early-modern English plays by Shakespeare, Marlowe, Massinger and others. In these works, conversion from Christianity to Islam is represented as both erotic and tragic: as a sexual seduction and a fate worse than death. The book examines the theatre's treatment of the intercourse between the Christian and Islamic faiths to reveal connections between sexuality, race and confessional identity in early modern English drama and culture. In addition, it shows how England's encounter with Islam reanimated post-Reformation debat ... More
This book explores the theme of Christian conversion to Islam in twelve early-modern English plays by Shakespeare, Marlowe, Massinger and others. In these works, conversion from Christianity to Islam is represented as both erotic and tragic: as a sexual seduction and a fate worse than death. The book examines the theatre's treatment of the intercourse between the Christian and Islamic faiths to reveal connections between sexuality, race and confessional identity in early modern English drama and culture. In addition, it shows how England's encounter with Islam reanimated post-Reformation debates about the embodiment of Christian faith. As the book compellingly demonstrates, the erotics of conversion added fuel to the fires of controversies over Pauline universalism, Christian martyrdom, the efficacy of relics and rituals and the ideals of the Knights of Malta.
Keywords:
Shakespeare,
Marlowe,
Massinger,
confessional identity,
post-Reformation,
Pauline universalism,
Christian martyrdom,
relics,
rituals,
Knights of Malta
Bibliographic Information
Print publication date: 2010 |
Print ISBN-13: 9780748640843 |
Published to Edinburgh Scholarship Online: March 2012 |
DOI:10.3366/edinburgh/9780748640843.001.0001 |