- Title Pages
- List of figures
- Introduction: romantics versus modernists?
Chapter 1:1929: romantics and modernists on the cusp of sound
Chapter 2The running man: Hitchcock's fugitives and The Bourne Ultimatum
Chapter 3Running man 2: Carol Reed and his contemporaries
Chapter 4David Lean: the troubled romantic and the end of empire
Chapter 5The trauma film from romantic to modern: A Matter of Life and Death to Don't Look Now
Chapter 6:Joseph Losey and Michelangelo Antonioni: the expatriate eye and the parallax view
Chapter 7Expatriate eye 2: Stanley Kubrick and Jerzy Skolimowski
Chapter 8Terence Davies and Bill Douglas: the poetics of memory
Chapter 9Conclusion: into the new century
- Select bibliography
- Romantics and Modernists in British Cinema
- Edinburgh University Press
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