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Literature, Cinema and Politics 1930-1945Reading Between the Frames$
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Lara Feigel

Print publication date: 2010

Print ISBN-13: 9780748639502

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748639502.001.0001

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‘The savage and austere light of a burning world’: The Cinematic Blitz

‘The savage and austere light of a burning world’: The Cinematic Blitz

Chapter:
(p.193) Chapter 6 ‘The savage and austere light of a burning world’: The Cinematic Blitz
Source:
Literature, Cinema and Politics 1930-1945
Author(s):

Lara Feigel

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748639502.003.0007

This chapter examines the British literature responding to the cinematic and photographic qualities of the Blitz. The cinematic properties of the Blitz were perhaps best captured in literature by three wartime firemen: Stephen Spender, Henry Green, and William Sansom. The wartime fiction of Elizabeth Bowen had always had an unnerving propensity to stir into life. Sansom's ‘Fireman Flower’ turns both the living and the dead into ghosts. Graham Greene's The Ministry of Fear and Bowen's The Heat of the Day expose the arbitrary nature of international politics in a war that is fought by automata in the sky and by ghosts on the ground. The Blitz literature was necessarily cinematic because the bombing, like the film and the photograph, thrust its victims into the deathly tense of the has-been-there.

Keywords:   Blitz, Stephen Spender, Henry Green, William Sansom, Elizabeth Bowen, Graham Greene, international politics, Blitz literature, Fireman Flower

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