Literature, Cinema and Politics 1930-1945: Reading Between the Frames
Lara Feigel
Abstract
This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. The book crosses boundaries between high modernism and social realism and between ‘high’ and ‘popular’ culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Fields, ... More
This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. The book crosses boundaries between high modernism and social realism and between ‘high’ and ‘popular’ culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Fields, and offering new interpretations of their texts. The book ends in the Second World War, an era when the bombs and searchlights rendered everyday life cinematic. The book interrogates the genres she maps, drawing on cultural theories from the 1920s onwards to investigate the nature of the cinematic and the literary. While it was not possible directly to transfer the techniques of the screen to the page any more than it was possible to ‘go over’ to the working classes, the attempts nonetheless reveal a fascinating intersection of the visual and the verbal, the political and the aesthetic. In reading between the frames of an unexplored literary tradition, this book redefines the 1930s and wartime literature and politics, offering a new perspective on Spanish Civil War as well as Second World War writing.
Keywords:
politics,
cinema,
cinematic literature,
fascism,
Europe,
working classes,
high modernism,
social realism,
Second World War,
Spanish Civil War
Bibliographic Information
Print publication date: 2010 |
Print ISBN-13: 9780748639502 |
Published to Edinburgh Scholarship Online: March 2012 |
DOI:10.3366/edinburgh/9780748639502.001.0001 |