Jump to ContentJump to Main Navigation
Deleuze and the Body$
Users without a subscription are not able to see the full content.

Laura Guillaume and Joe Hughes

Print publication date: 2011

Print ISBN-13: 9780748638642

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748638642.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 25 July 2021

Believing in the World: Toward an Ethics of Form

Believing in the World: Toward an Ethics of Form

Chapter:
(p.73) Chapter 4 Believing in the World: Toward an Ethics of Form
Source:
Deleuze and the Body
Author(s):

Joe Hughes

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748638642.003.0004

This chapter traces the genesis of the body in Gilles Deleuze's Cinema 1 through the crises in recognition in Cinema 2, and suggests that Deleuze's most basic claim in his cinema books is that cinema is capable of producing ideas which directly affect the body. It reviews Deleuze's ‘deduction’ of the body and argues that his cinema project should be read as a new pedagogy of the image.

Keywords:   body, Gilles Deleuze, Cinema 1, Cinema 2, ideas, pedagogy, image

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.