- Title Pages
- [UNTITLED]
- Acknowledgements
- List of Illustrations
-
Introduction Deleuze and Guattari and Contemporary Art -
Chapter 1 The Politics of the Scream in a Threnody -
Chapter 2 A Shift Towards the Unnameable -
Chapter 3 The Heterogenesis of Fleeing -
Chapter 4 Anita Fricek: Contemporary Painting as Institutional Critique -
Chapter 5 Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics* -
Chapter 6 The Practice and Anti-Dialectical Thought of an ‘Anartist’ -
Chapter 7 Ethologies of Software Art: What Can a Digital Body of Code Do? -
Chapter 8 Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art -
Chapter 9 An Art Scene as Big as the Ritz: The Logic of Scenes -
Chapter 10 Abstract Humour, Humorous Abstraction -
Chapter 11 From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice -
Chapter 12 Traps Against Capture -
Chapter 13 Sign and Information: On Anestis Logothetis’ Graphical Notations -
Chapter 14 Anti-Electra: Totemism and Schizogamy -
Chapter 15 Unimaginable Happenings: Material Movements in the Plane of Composition -
Chapter 16 Bloodcrystalpollenstar1 - Notes on Contributors
- Index
Unimaginable Happenings: Material Movements in the Plane of Composition
Unimaginable Happenings: Material Movements in the Plane of Composition
- Chapter:
- (p.266) Chapter 15 Unimaginable Happenings: Material Movements in the Plane of Composition
- Source:
- Deleuze and Contemporary Art
- Author(s):
Barbara Bolt
- Publisher:
- Edinburgh University Press
This chapter explores material movements in the plane of composition in art production. It aims to demonstrate the expansive force that undoes representation and creates something unimaginable yet precisely true-to-life. The chapter describes the movement whereby the plane of material invades the plane of composition, in order to reconfigure the dynamics of practice, and argues for a materialist performativity in the event of imaging.
Keywords: material movements, plane of composition, art production, representation, performativity, imaging
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- Title Pages
- [UNTITLED]
- Acknowledgements
- List of Illustrations
-
Introduction Deleuze and Guattari and Contemporary Art -
Chapter 1 The Politics of the Scream in a Threnody -
Chapter 2 A Shift Towards the Unnameable -
Chapter 3 The Heterogenesis of Fleeing -
Chapter 4 Anita Fricek: Contemporary Painting as Institutional Critique -
Chapter 5 Capitalism and Schizophrenia and Consensus: Of Relational Aesthetics* -
Chapter 6 The Practice and Anti-Dialectical Thought of an ‘Anartist’ -
Chapter 7 Ethologies of Software Art: What Can a Digital Body of Code Do? -
Chapter 8 Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art -
Chapter 9 An Art Scene as Big as the Ritz: The Logic of Scenes -
Chapter 10 Abstract Humour, Humorous Abstraction -
Chapter 11 From Aesthetics to the Abstract Machine: Deleuze, Guattari and Contemporary Art Practice -
Chapter 12 Traps Against Capture -
Chapter 13 Sign and Information: On Anestis Logothetis’ Graphical Notations -
Chapter 14 Anti-Electra: Totemism and Schizogamy -
Chapter 15 Unimaginable Happenings: Material Movements in the Plane of Composition -
Chapter 16 Bloodcrystalpollenstar1 - Notes on Contributors
- Index
