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Deleuze and Contemporary Art$
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Stephen Zepke and Simon O'Sullivan

Print publication date: 2010

Print ISBN-13: 9780748638376

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748638376.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 29 June 2022

Sign and Information: On Anestis Logothetis’ Graphical Notations

Sign and Information: On Anestis Logothetis’ Graphical Notations

(p.227) Chapter 13 Sign and Information: On Anestis Logothetis’ Graphical Notations
Deleuze and Contemporary Art

Claudia Mongini

Edinburgh University Press

This chapter analyses the work of composer Anestis Logothetis. It explores Logothetis's compositional technique and experimental form of musical notation as an aesthetic and implicitly ethico-political engagement, and offers a precise mapping of a musical machine, drawing not only on Gilles Deleuze's work but also on that of Gilbert Simondon. The chapter argues that artistic compositions such as Logothetis's are cybernetic and improvisational scores for collective experimentation.

Keywords:   Anestis Logothetis, compositional technique, musical notation, ethico-political engagement, musical machine, Gilles Deleuze, Gilbert Simondon, improvisational scores, collective experimentation

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