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James Joyce A Critical Guide$
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Lee Spinks

Print publication date: 2009

Print ISBN-13: 9780748638352

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748638352.001.0001

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(p.45) Chapter 2 Work
Source:
James Joyce A Critical Guide
Author(s):

Lee Spinks

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748638352.003.0003

This chapter describes the body of James Joyce's work. Joyce' wrote Chamber Music as a protest against himself. One of the fundamental aesthetic principles ofDubliners is that the limits of a character's world-view are defined by the limits of their language. The real distinction between Stephen Hero and A Portrait of the Artist as a Young Man lies at the level of narrative style. Exiles presents his only excursion into drama and remained relatively neglected until its 1970 London revival. With Ulysses, Joyce realised his aesthetic ambition of composing a great epic statement about modern European civilisation. Finnegans Wake makes considerable use of the symbols of marriage, burial, religion and the family, it is a mistake simply to map Joyce's narrative onto Vico's tripartite structure. A significant strand of Wakecriticism concerns itself with the creative and compositional process that brought the text into being.

Keywords:   James Joyce, Chamber Music, Dubliners, Stephen Hero, A Portrait of the Artist as a Young Man, Exiles, Ulysses, Finnegans Wake

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