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Memento$
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Claire Molloy

Print publication date: 2010

Print ISBN-13: 9780748637713

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748637713.001.0001

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So What Really Happened? Memento, Fans and Online Interpretive Strategies

So What Really Happened? Memento, Fans and Online Interpretive Strategies

Chapter:
(p.98) 5 So What Really Happened? Memento, Fans and Online Interpretive Strategies
Source:
Memento
Author(s):

Claire Molloy

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748637713.003.0006

This chapter explores the public discourse on Memento. It also examines how this developed within Internet communities. It then returns to the issue of categorising Memento as an independent film and explores the extent to which its independent status figured in its public reception and eventual success. Activity on Internet Movie Database (IMDb) is established by communal practices. Both critical and public responses to Memento unsurprisingly focused predominantly on the reverse ordered narrative. Memento was a mainstream film disguised as an indie, having high production values and a Hollywood feel that masqueraded as art house. This film is now recognised as an exemplification of twenty-first-century indie filmmaking. Christopher Nolan claimed to be a ‘mainstream director’ during the marketing of Memento and an ‘independent’ when filming Batman Begins and The Dark Knight.

Keywords:   independent film, Memento, Internet, IMDb, Hollywood, indie filmmaking, Christopher Nolan

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