Into the Labyrinth: Kenneth MacMillan and his Ballets
Into the Labyrinth: Kenneth MacMillan and his Ballets
Please Provide (as in Journal Copy) This study explores the choreographic themes and the emotional and psychic concerns which are so central to the creativity of Kenneth MacMillan. Clement Crisp, who has seen and reviewed MacMillan’s ballets for forty years, from the earliest apprentice works to the final Judas Tree, offers some observations on the nature of MacMillan’s inspiration, on the ideas that fired is imagination and their realisation in dance.
Keywords: H is creativity, choreographic themes, Somnabulum (1953), Judas Tree (1992)
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