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The Edinburgh Companion to Shakespeare and the Arts$
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Mark Thornton Burnett and Adrian Streete

Print publication date: 2011

Print ISBN-13: 9780748635238

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748635238.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 22 September 2021

Shakespeare and The Novel

Shakespeare and The Novel

(p.49) 3 Shakespeare and The Novel
The Edinburgh Companion to Shakespeare and the Arts

Marianne Novy

Edinburgh University Press

The discussion in this chapter, which ranges from George Eliot to Jane Smiley, shows the ways in which Shakespeare in the novel functions as a marker of prestige, an opportunity for irony, an aid to characterization, literary shorthand, and an exercise in nostalgia. Furthermore, it investigates the selected rewritings of six different plays, probably among the most often alluded to — The Merchant of Venice, Othello, As You Like It, Hamlet, The Tempest and King Lear — to show such dialogues and shifts. Season of Migration may seem to present a postcolonial critique of Othello for his love of a white woman and his service to Venice. As You Like It could be the starting point for more utopian comic adaptations. The most significant literary use of Hamlet in the twentieth century is Joyce's Ulysses. Novels that rewrite King Lear are often particularly ambitious.

Keywords:   Shakespeare, The Merchant of Venice, Othello, As You Like It, Hamlet, The Tempest, King Lear, George Eliot, Jane Smiley

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