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The Edinburgh Companion to Shakespeare and the Arts$
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Mark Thornton Burnett and Adrian Streete

Print publication date: 2011

Print ISBN-13: 9780748635238

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748635238.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 May 2020

Shakespeare and Popular Music

Shakespeare and Popular Music

Chapter:
(p.219) 12 Shakespeare and Popular Music
Source:
The Edinburgh Companion to Shakespeare and the Arts
Author(s):

Adam Hansen

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748635238.003.0013

This chapter considers the partnership shared between Shakespeare and popular music, maintaining that the dialogic relationship between the two lies at the heart of Shakespeare's imbrication in musical styles like hip-hop, jazz, country and rap. It is also stated that every justification for the intermingling of the dramatist and these various forms referencing Shakespeare's own absorption in balladry as part of a discussion of how reverence and resistance combine with each other in the translation of the plays into alternative aural mediums. Moreover, it illustrates that some genres use Shakespeare in significant ways because of the cultural politics and identities they represent. Shakespeare's relations to popular music of his own time are then explained. Race has an important role in popular music. Popular music — and its consumers — creatively adapt, rewrite and recreate Shakespeare, sometimes in conflict, sometimes in admiration, sometimes in love.

Keywords:   Shakespeare, popular music, cultural politics, country, cultural identity, conflict, admiration, love

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