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Deleuze and Performance$
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Laura Cull

Print publication date: 2005

Print ISBN-13: 9780748635030

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748635030.001.0001

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Like a Prosthesis: Critical Performance à Digital Deleuze

Like a Prosthesis: Critical Performance à Digital Deleuze

Chapter:
(p.202) (p.203) Chapter 11 Like a Prosthesis: Critical Performance à Digital Deleuze
Source:
Deleuze and Performance
Author(s):

Timothy Murray

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748635030.003.0011

This chapter focuses on Gilles Deleuze's theatres of movement and repetition. It proposes a ‘Digital Deleuze’ who provides a creative approach to mediality from which to consider the revolutionary variation of corporeality through digitality in the new-media performances of several digital artists including Shelley Eshkar, Paul Kaiser, and Jonah Bokaer. It suggest that the underappreciated key to Deleuze's theatre of movement is how its shift away from the sameness of identity opens the path to the revolutionary imperatives of sociability and community that take place within the framework of interrogation.

Keywords:   theatres of movement, Gilles Deleuze, Digital Deleuze, new-media performances, Shelley Eshkar, Paul Kaiser, Jonah Bokaer

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