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Deleuze and Performance$
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Laura Cull

Print publication date: 2005

Print ISBN-13: 9780748635030

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748635030.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 April 2020

Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze

Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze

Chapter:
(p.22) Chapter 1 Performing in the Chaosmos: Farts, Follicles, Mathematics and Delirium in Deleuze
Source:
Deleuze and Performance
Author(s):

Herbert Blau

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748635030.003.0001

This chapter address the value of Deleuzian ideas for performance. It attempts to establish the connection of Gilles Deleuze's works with various practitioners including Bertolt Brecht, the Living Theatre, and the KRAKEN Group. It analyses Deleuze and Félix Guattari's Anti-Oedipus and suggests that Deleuze considers performance as the autoerotic on automatic in runaway machines, given over to pure expenditure in the libidinal economy.

Keywords:   Deleuzian ideas, performance, Gilles Deleuze, Bertolt Brecht, Living Theatre, KRAKEN Group, Félix Guattari, Anti-Oedipus, libidinal economy

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