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Stalinist Cinema and the Production of HistoryMuseum of the Revolution$
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Evgeny Dobrenko

Print publication date: 2008

Print ISBN-13: 9780748634453

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748634453.001.0001

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Russian Classics and the Past in its Revolutionary Development

Russian Classics and the Past in its Revolutionary Development

Chapter:
(p.109) 3. Russian Classics and the Past in its Revolutionary Development
Source:
Stalinist Cinema and the Production of History
Author(s):

Evgeny Dobrenko

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748634453.003.0004

This chapter examines the role of Russian classic literature in Stalinist cinema. It explains that the coding of life by a classic writer and its decoding by an adept director guaranteed that the screen event will not only be credible, but will live on through the ages. The chapter describes the processes through which reality is distilled into literature and then, through ideological interpretation in criticism, into film. It cites Yakov Protazanov's film Without a Dowry and Ivan Pyrev's The Swineherdess and the Shepherd as exemplars of Stalinist art.

Keywords:   classic literature, Stalinist cinema, reality, ideological interpretation, Yakov Protazanov, Without a Dowry, Ivan Pyrev, Swineherdess and Shepherd, Stalinist art

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