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Cinematic JourneysFilm and Movement$
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Dimitris Eleftheriotis

Print publication date: 2010

Print ISBN-13: 9780748633128

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748633128.001.0001

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Movement beyond the axes

Movement beyond the axes

(p.142) Chapter 6 Movement beyond the axes
Cinematic Journeys

Dimitris Eleftheriotis

Edinburgh University Press

This chapter discusses the ‘post’ as a historical, geopolitical, and cultural terminus that points towards a ‘beyond’. It examines two films, Theo Angelopoulos's Ulysses' Gaze (1995) and Samira Makhmalbaf's Blackboards (2000), in which the discourses and sensibilities that inform modern subjectivity, notions of agency, epistemologies of cinematic movement and mobile vision, fantasies of complete knowledge and control, and the pleasures of journeys of exploration, discovery and revelation, all have either completed and concluded their historical trajectories or are irrelevant within a referential context that involves different configurations of the subject and mobility. The chapter shows that Ulysses' Gaze obliterates the subject and object of the spatial exploration that the film undertakes, while the textual practices of Blackboards turn their back on dialectics articulating different types of mobile vision and subjectivity.

Keywords:   Theo Angelopoulos, Ulysses' Gaze, Samira Makhmalbaf, Blackboards, subjectivity, agency, cinematic movement, mobile vision, exploration, discovery

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