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Hollywood's Cold War$
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Tony Shaw

Print publication date: 2007

Print ISBN-13: 9780748625239

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748625239.001.0001

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Negotiable dissent

Negotiable dissent

Chapter:
(p.135) Chapter 5 Negotiable dissent
Source:
Hollywood's Cold War
Author(s):

Tony Shaw

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748625239.003.0006

This chapter investigates The Day the Earth Stood Still, Storm Centre and On the Beach. Each stresses an issue that caused the US government considerable political discomfort, and which filmmakers would continue to probe throughout the Cold War. The Day the Earth Stood Still was the first ‘A’ treatment given to a science-fiction theme by a major studio. Storm Centre missed an opportunity to show that during the Red Scare anticommunists were often driven by ulterior motives — economic, personal and racial. On the Beach certainly developed a politically intriguing afterlife. Movies like The Day the Earth Stood Still, Storm Centre and On the Beach reveal the non-monolithic nature of the US state-film network, and prove that even during American Cold War cinema's most conservative phase, the US film industry was never officially straitjacketed in the way that Soviet cinema was.

Keywords:   The Day the Earth Stood Still, Storm Centre, On the Beach, US government, Cold War, Red Scare, US film industry, filmmakers

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