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David WilkieThe People's Painter$
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Nicholas Tromans

Print publication date: 2007

Print ISBN-13: 9780748625208

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748625208.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 October 2021

Everyday Stories

Everyday Stories

Chapter:
(p.1) 1 Everyday Stories
Source:
David Wilkie
Author(s):

Nicholas Tromans

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748625208.003.0001

This chapter argues that David Wilkie sought to represent the everyday stories as the authentic basis of social life, and also shows that his initial image of the everyday was not sustainable once there was no longer any consensus over who was and who was not properly part of society. Pitlessie Fair and the Village Politicians were visceral scenes of rough country life. William Hogarth is conspicuous by his absence from his historical scheme of things; and, given the regularity with which Wilkie was blithely compared to Hogarth by his contemporaries, he can only have had mixed feelings about him. The Chelsea Pensioners was one of three outdoor urban scenes that Wilkie exhibited in succession in 1821–3. The Village Politicians had as its basic theme the disruptive effects of news upon everyday life: the two were represented as incompatible.

Keywords:   David Wilkie, Pitlessie Fair, Village Politicians, Chelsea Pensioners, William Hogarth, everyday stories, social life

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