Jump to ContentJump to Main Navigation
Deleuze and Philosophy$
Users without a subscription are not able to see the full content.

Constantin V. Boundas

Print publication date: 2006

Print ISBN-13: 9780748624799

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748624799.001.0001

Show Summary Details
Page of

PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 02 July 2022

A Fourth Repetition

A Fourth Repetition

(p.98) Chapter 7 A Fourth Repetition
Deleuze and Philosophy

Zsuzsa Baross

Edinburgh University Press

This chapter examines Gilles Deleuze's writings on cinema and his concept of repetition. It explains that the hypothesis that guides the movement of passage in the text is that the cinematic apparatus is a temporalising assemblage. Thus, a repetition therefore would be ‘fourth’ if it engendered a purely cinematic time: one that arrives for the first time with the cinema, and therefore necessarily intervenes both in history and in the history of time.

Keywords:   Gilles Deleuze, cinema, repetition, cinematic apparatus, temporalising assemblage, cinematic time, history of time

Edinburgh Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.