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Science Fiction CinemaBetween Fantasy and Reality$
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Christine Cornea

Print publication date: 2007

Print ISBN-13: 9780748624652

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748624652.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 14 October 2019

The Masculine Subject of Science Fiction in the 1980s Blockbuster Era

The Masculine Subject of Science Fiction in the 1980s Blockbuster Era

Chapter:
(p.111) 4. The Masculine Subject of Science Fiction in the 1980s Blockbuster Era
Source:
Science Fiction Cinema
Author(s):

Christine Cornea

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748624652.003.0004

This chapter reports the depiction of the masculine subject in mainstream American science fiction films from 1980–1990. The popular rebirth in the science fiction film in America results to the genre's market dominance. Star Wars and Close Encounters offer a picture of disintegrating family structures and absentee fathers. The Back to the Future series continues the themes of family and fatherhood. The cyborg films, The Terminator and Robocop, in 1980s are explored. It is believed that it is wrong to see either of these films as unproblematically upholding the dominant ideology of the time. It appears that, with the influx of the American film product onto the global marketplace in the 1980s, some national cinemas responded by producing national films. The interview with Paul Verhoeven clarifies the ways in which American culture came to be ‘written’ into the film.

Keywords:   science fiction films, America, masculine, The Terminator, Robocop, Star Wars, Close Encounters, Paul Verhoeven, global marketplace, Back to the Future

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