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Film Noir and the Cinema of Paranoia$
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Wheeler Winston Dixon

Print publication date: 2005

Print ISBN-13: 9780748623990

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748623990.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 29 July 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Film Noir and the Cinema of Paranoia
Author(s):

Wheeler Winston Dixon

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748623990.003.0001

This is the age of film noir. Though the genre dates from the late 1930s and early 1940s, its concerns of hopelessness, failure, deceit and betrayal are in many ways more prescient in the twenty-first century than they were at their inception. Film noir is the cinema of paranoia, of doubt and fear and uncertainty, which blossomed in the wake of World War II, as the Allies' victory was purchased at the cost of the specter of instant annihilation by forces seemingly beyond our comprehension. Pre-Code films existed in a world of grab and greed, violence and brutality, where all that mattered was power, money and influence. Extortion, rape, mistaken identity, murder, theft, sexual harassment, depravity of all kinds are dished out in rapid-fire plots, in films that often last as little as sixty-five minutes. Pre-Code audiences wanted their cruelties delivered without pulling any punches.

Keywords:   Pre-Code films, film noir, paranoia, fear, uncertainty, murder, violence, mistaken identity

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