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Film's Musical Moments$
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Ian Conrich and Estella Tincknell

Print publication date: 2006

Print ISBN-13: 9780748623440

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748623440.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 03 July 2022

Film Musicals in the GDR

Film Musicals in the GDR

Chapter:
(p.183) 14 Film Musicals in the GDR
Source:
Film's Musical Moments
Author(s):

Andrea Rinke

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748623440.003.0014

The nationalised DEFA (Deutsche Filmaktiengesellschaft) was East Germany's only film company. As in other areas of industrial production in the GDR, the annual output of films was planned many years in advance by the DEFA management, the aim being to produce a balanced package covering a variety of genres including musicals and comedies. This chapter focuses on how the communist authorities in East Germany attempted to compete with Western popular culture by producing socialist musicals that celebrated factory life and farm collectives in the period between 1958 and 1968. Interestingly, as the chapter points out, the conventions of escapism and fun remained central to these films, although Western ‘decadence’ was rejected in favour of a strong emphasis on women's emancipation, especially the right to work. This chapter looks at two film musicals directed by two East German filmmakers who specialised in entertainment films – Gottfried Kolditz's Revue um Mitternacht (Midnight Revue, 1962) and Joachim Hasler's Heißer Sommer (Hot Summer, 1968) – both of which were domestic box office hits.

Keywords:   Deutsche Filmaktiengesellschaft, film musicals, East Germany, popular culture, escapism, factory life, farm collectives, women, Revue um Mitternacht, Heißer Sommer

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