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Archaeology and the Emergence of Greece$
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Anthony Snodgrass

Print publication date: 2006

Print ISBN-13: 9780748623334

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748623334.001.0001

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Pausanias and the Chest of Kypselos

Pausanias and the Chest of Kypselos

Chapter:
(p.422) Chapter 23 Pausanias and the Chest of Kypselos
Source:
Archaeology and the Emergence of Greece
Author(s):

Anthony Snodgrass

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748623334.003.0023

Pausanias's account of the Chest of Kypselos takes up some 170 lines in the best-known text. The remarkable correspondences between Pausanias's account of the iconography and epigraphy of the chest and the iconography and inscriptions on surviving Corinthian vase scenes are enough to prove beyond reasonable question that he was describing a genuine product of archaic Corinth, dating perhaps from somewhat after 600 BC. In his statistical study of the incidence of legendary subjects in earlier archaic art, Robert Cook lists the chest in exactly the same way as the surviving vases and sculptures. Cook points out that only a minority of the subjects on the chest (perhaps eight in all) are taken from either the Trojan or the Theban cycle of legends; and that, of these, precisely two figure in Homer's poems Iliad and Odyssey. One lesson has emerged from this reexamination of the iconography of the Chest of Kypselos: namely, that the ‘Homerist hypothesis’ in the interpretation of early Greek art may itself go back to Pausanias's time.

Keywords:   Pausanias, Chest of Kypselos, iconography, epigraphy, inscriptions, Corinth, Robert Cook, Homer, poems, Greek art

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