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European Cinemas in the Television Age$
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Dorota Ostrowska and Graham Roberts

Print publication date: 2007

Print ISBN-13: 9780748623082

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748623082.001.0001

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Audio-Visual Production Cultures: Convergence and Resistance

Audio-Visual Production Cultures: Convergence and Resistance

Chapter:
(p.125) 9. Audio-Visual Production Cultures: Convergence and Resistance
Source:
European Cinemas in the Television Age
Author(s):

Dorota Ostrowska

Graham Roberts

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748623082.003.0009

Since both cinema and television are audio-visual mediums, it is not surprising that technology offers the most natural basis for comparison between the two. Indeed it is unarguable that the technological similarities which the two mediums share are at the centre of the economic and cultural tensions between them. The relationship between cinema and television has been affected more recently by the advent of digital technology, which brings with it the possibilities for low-cost filming, an intimate and almost artisan production mode, and a democratisation of use. Nonetheless, the digital film-making ‘revolution’ would not have been possible without the already-established television-bound culture of consuming and producing audio-visual material.

Keywords:   cinema, television, digital technology, filmmaking

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