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Coming of Age in Contemporary American Fiction$
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Kenneth Millard

Print publication date: 2007

Print ISBN-13: 9780748621736

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748621736.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 04 August 2021

Conclusion

Conclusion

Chapter:
(p.181) Conclusion
Source:
Coming of Age in Contemporary American Fiction
Author(s):

Kenneth Millard

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748621736.003.0008

This chapter studies the popularity of the coming-of-age genre in the United States. It shows that this genre is partly a symptom of the abiding fascination of the Americans with the idea of innocence, and allows writers to study the historical circumstances that have separated their protagonists from a mythical, imaginary, or nostalgic innocence. This chapter concludes that the coming-of-age genre will always be used by American authors who are searching for a narrative voice that can be used as a vehicle to express social disaffection and to offer critiques of various forms of American socialisation.

Keywords:   coming-of-age genre, innocence, narrative voice, social disaffection, American socialisation

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