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Coming of Age in Contemporary American Fiction$
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Kenneth Millard

Print publication date: 2007

Print ISBN-13: 9780748621736

Published to Edinburgh Scholarship Online: March 2012

DOI: 10.3366/edinburgh/9780748621736.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 July 2021

Language Acquisition: Life Sentences

Language Acquisition: Life Sentences

Chapter:
(p.98) Chapter 4 Language Acquisition: Life Sentences
Source:
Coming of Age in Contemporary American Fiction
Author(s):

Kenneth Millard

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748621736.003.0005

This chapter shows the conventions and characteristic habits that are present in coming-of-age novels. It shows that some novels recognize that the story of the self can only be conducted in a language that it partly prescribed. The discussion looks at Scott Bradfield's The History of the Luminous Motion and Mark Richard's Fishboy, which present an analytical commentary on the form of the narrative, while simultaneously telling their respective stories. These novels also feature a form of journey narrative that has gone wrong. It is also observed that both novels are marked by the male protagonist's sense of possession by the mother, or of the mother, which is a direct opposition of the predominantly male environment they are situated in.

Keywords:   conventions, characteristic habits, story of the self, analytical commentary, journey narrative, possession, male environment

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