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- Title Pages
- For Nicholas McDowell
- Acknowledgements
- List of Illustrations and Figures
- Textual Note
- Introduction: Contexts
- Chapter 1 Franco’s Great Family: La gran familia (The Great Family, Palacios 1962)
- Chapter 2 Civilising the City in <i>La ciudad no es para mí (The City’s Not For Me</i>, Lazaga 1965)
- Chapter 3 Reality and Pretence in <i>Los farsantes (Frauds</i>, Camus 1963)
- Chapter 4 Repression and Excess in <i>La tía Tula (Aunt Tula</i>, Picazo 1964)
- Chapter 5 Identity and Nationality in Nueve cartas a Berta (Nine Letters to Berta, Patino 1965)
- Chapter 6 Ageing and Coming of Age in <i>La caza (The Hunt</i>, Saura 1965)
- Conclusion: Overlaps
- Filmography
- Bibliography
- Index
(p.179) Filmography (p.180) (p.181)
(p.179) Filmography (p.180) (p.181)
- Source:
- A Cinema of Contradiction
- Publisher:
- Edinburgh University Press
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- Title Pages
- For Nicholas McDowell
- Acknowledgements
- List of Illustrations and Figures
- Textual Note
- Introduction: Contexts
- Chapter 1 Franco’s Great Family: La gran familia (The Great Family, Palacios 1962)
- Chapter 2 Civilising the City in <i>La ciudad no es para mí (The City’s Not For Me</i>, Lazaga 1965)
- Chapter 3 Reality and Pretence in <i>Los farsantes (Frauds</i>, Camus 1963)
- Chapter 4 Repression and Excess in <i>La tía Tula (Aunt Tula</i>, Picazo 1964)
- Chapter 5 Identity and Nationality in Nueve cartas a Berta (Nine Letters to Berta, Patino 1965)
- Chapter 6 Ageing and Coming of Age in <i>La caza (The Hunt</i>, Saura 1965)
- Conclusion: Overlaps
- Filmography
- Bibliography
- Index