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African FilmmakingNorth and South of the Sahara$
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Roy Armes

Print publication date: 2006

Print ISBN-13: 9780748621231

Published to Edinburgh Scholarship Online: September 2012

DOI: 10.3366/edinburgh/9780748621231.001.0001

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PRINTED FROM EDINBURGH SCHOLARSHIP ONLINE (www.edinburgh.universitypressscholarship.com). (c) Copyright Edinburgh University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in ESO for personal use.date: 28 May 2020

African Initiatives

African Initiatives

Chapter:
(p.36) 3. African Initiatives
Source:
African Filmmaking
Author(s):

Roy Armes

Publisher:
Edinburgh University Press
DOI:10.3366/edinburgh/9780748621231.003.0003

This chapter focuses on post-independence filmmaking in four adjoining areas astride the Sahara: Algeria, Morocco, Tunisia and the fourteen independent states in francophone West Africa south of the Sahara. A number of general factors influenced filmmaking in all four geographic areas. Firstly, there was the persistence into the post-independence period of Western film dominance over African screens, a situation that African governments were largely unable to control. Secondly, the heritage of the colonial period played a key role in the structural organisation of African film production. Thirdly, in all four areas, filmmaking was initially regarded as first and foremost an affair of the state, which played a crucial role in fostering film production and ordering its financing. Fourthly, in virtually all four areas, the attitude of the state towards film production shifted radically in the 1980s and early 1990s, a move exemplified by the closing down of numerous state production organisations and the introduction of new schemes of aid in Morocco and Tunisia.

Keywords:   African filmmaking, Algeria, Morocco, Tunisia, Sub-Saharan Francophone West Africa, film production

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